unitarian chapel york

York Unitarian Chapel is a building on St. Saviourgate, York, England. It is a member of the General Assembly of Unitarian and Free Christian Churches, the umbrella organisation for British Unitarians.It is in the form of a Greek Cross, and was built in 1692 or earlier. It is a Grade II listed building. It is thought to be the first brick building of any size in York with load bearing brick walls.A major benefactor was Lady Sarah Hewley, a Protestant dissenter and wife of Sir John Hewley, MP for York in 1678 - 1681. Lady Hewley also founded almshouses in Tanner Row in York, which were succeeded by the present Lady Hewley Almshouses in St Saviourgate and by the twelve almshouses known as Colton?s Hospital in Shipton Street. The most famous minister of the Chapel was Charles Wellbeloved, who was at first assistant to the Rev. Newcombe Cappe and then minister until his death in 1858. He was involved in saving the York city walls from being used to provide building materials, ended malpractices at York County Lunatic Asylum, founded the York Mechanics'' Institute, wrote a guide to York Minster and initiated an appeal after a fire destroyed a Minster screen. He was Principal of Manchester College, one of the dissenting academies for training ministers and the higher education of lay students.

John Louis Petit was born at Ashton-under-Lyne, Lancashire, son of John Hayes Petit. He was educated at Eton, and contributed to the "Etonian". He was elected to a scholarship at Trinity College Cambridge in 1822, graduated BA in 1823 and MA in 1826, and on 21st June 1850 he was admitted "ad eundem" at Oxford. He took holy orders in 1824, but undertook no parochial work. Petit showed a taste for sketching in early years. His favourite subject was old churches, and a great part of his life was spent in visiting and sketching them. In 1839 he made his first extensive tour of the continent. The results appeared in his "Remarks on Church Architectire" (1841, 2 vols which had illustratuions. It was followed in 1846 by "Remarks on Church Architectural Character" Royal folio format.In the same year Petit published a lecture which he had delivered on 24th Feb 1846 to the Oxford Society for promoting the study of Gothic Architecture, under the title "Remarks on the Principles of Gothic Architecture as applied to ordinary Parish Churches". It was succeeded by "Architectire of Tewksbury Abbey Church". Royal svo 1846. " Architectural notes in the neighbourhood of Cheltenham"and "Remarks on Wimborne Minster", 1847. "Remarks on Southwell Minster". With numerous good illustrations. 1848. "Architectural Notices relating to Churches in Gloucestershire and Susse". 1849. "Architectural Notices of the Curious Church of Gillingham.Norfolk". And an "Account of Sherborne Minster". 1850. In 1852 Petit published an account of Brinkburn Priory". In 1854 appeared Petit''s principal work. "Architectural Studies in France", imperial SVO. It was beautifully illustrated with fine woodcuts and facsimiles of anastic drawings by the author and his companion, Professor Delamotte. It showed much learningand observation, and threw light upon the formation of Gothic in France, and on the differences between English and French Gothic. A new edition , revised by Edward Bell, FSA, with introduction, notes and index, appeared in 1890. The text remained unaltered but the illustrations were reduced in size, and a few added from Petit''s unused woodcuts. In 1864-65 he travelled in the East and executed some striking drawings. He died in Lichfield on 2 Dec 1868, from a cold caught while sketching and was buried in St Micheal''s Churchyard. Petit was the founder of the British Archealogical Institute at Cambridge in 1844. He was also FSA, an honoury member of the Institute of British Architects, and a governor of Christ''s hospital.

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Artware Fine Art specialises in fine antique, decorative and historical portraits and topographical pictures . We cover a period from the 17th and 18th centuries through to the 19th & 20th Centuries. We have over 150 portraits in stock, which can be viewed on our web site, each historical portrait has well researched biographical information both on the sitter and the artist.

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