Works of art created with paint.
sia antion, riga, latvia
1824. France. Canvas, oil. 74x92 cm Unknown artist. Width: 74cm, Height: 92cm, Depth: 74cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9363
£3,904.03
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1948. Paper, carbon. 27x26 cm Niklavs Strunke. Width: 27cm, Height: 26cm, Depth: 26cm, Weight: 10kg, Condition: Condition of use, Material: Paper, ID: 9362
£284.23
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1915. Carton, oil. 17.5x33.5 cm J?nis Roberts Tilbergs. Width: 17.5cm, Height: 33.5cm, Depth: 17.5cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9358
£392.91
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20th century. Carton, oil. 48x33 cm C. Frandereau. Width: 48cm, Height: 33cm, Depth: 33cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9356
£451.43
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20th century 30`s. Carton, oil. 46x63.5 cm Arnolds Grikis. Width: 46cm, Height: 63.5cm, Depth: 46cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9355
£560.11
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1943. Paper, watercolor. 33x21 cm, 31.5x20.5 cm J?nis Roberts Tilbergs. Width: 33cm, Height: 21cm, Depth: 20.5cm, Weight: 10kg, Condition: Condition of use, Material: Watercolor, ID: 9353
£1,621.80
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1936. Canvas, oil. 165x161 cm Augusts Annuss. Width: 165cm, Height: 161cm, Depth: 161cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9351
£7,247.95
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20th century 30`s. Canvas, oil. 110x151 cm Stanislavs Ivanickis. Width: 110cm, Height: 151cm, Depth: 110cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9347
£1,396.09
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1881. Canvas, oil. 55x72 cm Kristian Zahrtmann. Width: 55cm, Height: 72cm, Depth: 55cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9344
£6,136.10
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Beginning of 20th century. Canvas duplicated on carton, oil. 65x42 cm Janis Rozentals. Width: 65cm, Height: 42cm, Depth: 42cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9342
£22,295.60
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1921. Paper, mixed media. 27x16 cm Nikolai Ushin. Width: 27cm, Height: 16cm, Depth: 16cm, Weight: 10kg, Condition: Condition of use, Material: Mixed media, ID: 9341
£300.95
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Joseph François Parrocel (1704; 1781) attributed. The Attack of the Tigers Canvas mounted on hardboard 62 cm by 40 cm Frame 77.5 cm by 54.5 cm An old attribution on the back: Raden Saleh This very beautiful painting takes up the theme of the attack of wild beasts here on Turkish horsemen. Since Rubens in the 17th century, many painters have represented lions or tigers in these scenes. The genre even experienced a resurgence in popularity with orientalists such as of course Eugène Delacroix, all his students and many other painters. Joseph François Parrocel (1704; 1781) He was a student of his father, Pierre Parrocel. Approved by the Academy in 1753, he appeared at the Salons from 1755 to 1781 with historical subjects. He is one of the members of a dynasty of French painters from the 17th century (Barthélémy Parrocel 1595; 1660) to the 19th century (Etienne Antoine Parrocel 1817; 1896). He is a painter of history, battles, mythological subjects... in the direct line of the dynasty. He can be found in many museums such as Avignon, Versailles, Dublin... Width: 78cm, Height: 55cm, Depth: 4.5cm, Weight: 3kg, Condition: Exc., Usual restorations, Material: Oil on panel, ID: 12279
£3,536.20
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Charles de la Fosse (1636; 1716) Jesus performing the Last Supper. Oil on canvas and original frame 82 x 66 cm Frame 103 cm by 84 cm I would like to thank Madame Clémentine Gustin-Gomez for confirming the autograph character of this painting after a direct examination. In her work, Clémentine Gustin-Gomez cites a painting mentioned and now missing which could, with all due reservations, be our painting (C. Gustin Gomez, Charles de La FOSSE (1636-1716), Dijon, 2006, PP.31): Under the number PP. 31: The Last Supper located next to the high altar at the church of Saint-Pierre-des-Arcis, in Paris; seized during the Revolution; mentioned by A. LENOIR, November 16, 1793, as an object entered into the Temporary Depository of Monuments The Last Supper The Last Supper, also known as the Lord&39;s Supper or Last Meal, commemorates the last meal of Jesus Christ with his disciples before his crucifixion, as described in the Gospels of the New Testament of the Bible. During the Last Supper, Jesus shared the bread and wine with his disciples, identifying them as his body and blood. This is considered a symbol of Jesus&39; sacrifice for the salvation of humanity. In many Christian traditions, the Last Supper is celebrated regularly during a religious service called the Eucharist. The Last Supper is often depicted in Christian art. To name but one, Leonardo da Vinci&39;s The Last Supper. This iconic depiction shows Jesus and his disciples seated at a table during the Last Supper. Charles de la Fosse (1636; 1716) Charles de La Fosse was born on June 15, 1636 in Paris and died on December 13, 1716. He was an early student of Le Brun, with whom he collaborated in the 1650s at the Saint-Sulpice seminary and the Hôtel Lambert. From 1658 to 1663, he stayed in Rome, Parma and for a long time in Venice, whose influence he would always bear. After his return to Paris, Le Brun employed him at the Tuileries, then in the grand apartment at Versailles. La Fosse was admitted to the Academy in 1673 (The Rape of Proserpine), of which he became director in 1707 thanks to the support of Hardouin-Mansart. He will paint various easel paintings for the Grand Trianon, for Marly, for Meudon, Versailles… La Fosse&39;s favorite subjects were often of mythological or religious inspiration, he is also a great decorator, whose art is very different from Le Brun or a contemporary like Jouvenet. He produced numerous paintings for churches and palaces, including frescoes. His style developed over time, moving from a more classical and rigid treatment to more dynamic and expressive compositions. He does not intervene, or more precisely imposes himself by example, in what has been called the quarrel of colors or the quarrel between ancients and moderns which opposes from the 1670s, the tradition of the 17th century, faithful to the art of Poussin where the painted work is built on the drawing, to the so-called moderns where the importance of the drawing fades in favor of the choice and the implementation of colors. His works established him as the master of the moderns, paving the way for 18th-century painting. Charles de la Fosse was appointed First Painter to the King in 1685. Width: 103cm, Height: 84cm, Depth: 10cm, Weight: 8kg, Condition: Exc., Usual restorations, Material: Canvas, oil, ID: 12278
£9,103.83
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Hans van Sant (Active in Haarlem between 1630 and 1653) attributed. Still life with a Romer Oak panel measuring 49 cm by 44 cm Antique frame measuring 67 cm by 62 cm Old restorations To date, we know very little about the life of this painter except that he was active in Haarlem from 1630 to 1653. There is no registration with a Guild, which could suggest that his activity as a painter was not his main activity. In any case, we are discovering him little by little with works that appear on the art market. Our painting, probably painted around 1640, is a still life. On an entablature are placed: a Romer, a pewter jug, a spoon, and a cake on a plate. Note a trace of a monogram on the entablature and a wax seal on the back of the panel. Old restorations. Width: 62cm, Height: 67cm, Depth: 8cm, Weight: 7kg, Condition: Exc., Usual restorations, Material: Oil on wood, ID: 12277
£4,505.94
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1942. Canvas, oil. 55x65 cm. Valdis Kalnroze. Width: 55cm, Height: 65cm, Depth: 55cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9334
£1,722.12
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Lithography. 23,5x36 cm --. Width: 23cm, Height: 36cm, Depth: 23cm, Weight: 10kg, Condition: Condition of use, Material: , ID: 9327
£376.19
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1934. Cardboard, oil. 33x42 cm Nikolajs Kulainis. Width: 33cm, Height: 42cm, Depth: 33cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9325
£727.30
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1941. Autors Kai Jeppe Drews (1884-1964) Canvas, oil. 100x70 cm --. Width: 100cm, Height: 70cm, Depth: 70cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9321
£794.18
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18th century. Oil on canvas. 61.5x84.5 cm Gabriel Allegrain. Width: 61.5cm, Height: 84.5cm, Depth: 61.5cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9318
£4,464.14
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20th century 30`s. Canvas, oil. 62.5x92 cm. Ansis Artums. Width: 62.5cm, Height: 92cm, Depth: 62.5cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9307
£727.30
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1934. Paper, crayon. 74x99 cm Arvids Strauja. Width: 74cm, Height: 99cm, Depth: 74cm, Weight: 10kg, Condition: Condition of use, Material: Black pencil, watercolor, ID: 9306
£953.02
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20th century 30`s. Canvas, oil. 45x58 cm Hugo Karlis Grotuss. Width: 45cm, Height: 58cm, Depth: 45cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9302
£392.91
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Beginning of 20th century. Canvas, oil. 73x52.7 cm Alfreds Aleksandrs Gelhars. Width: 73cm, Height: 52.7cm, Depth: 52.7cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9287
£1,337.57
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1916. Paper, watercolor. 18x22 cm. Uban`s letter to Mary Groswald on the back of the work Konrads Ubans. Width: 18cm, Height: 22cm, Depth: 18cm, Weight: 10kg, Condition: Condition of use, Material: Watercolor, ID: 9281
£1,003.18
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Beginning of 20th century. Canvas, oil. Art Nouveau (in the original Art Nouveau frame) 90x120 cm. Unknown artist. Width: 90cm, Height: 120cm, Depth: 90cm, Weight: 10kg, Condition: Condition of use, Material: Oil, ID: 9279
£4,464.14
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