antique collectibles: other collectables
Other antique collectibles that don't fall within any of the other categories.
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Icon of Saint Alexander Nevsky. Russia 1920
sia antion, riga, latvia
Body-worn icon of the Holy Blessed Grand Duke Alexander Nevsky, made using the Enamel technique with a silver frame. Hallmarks: masters of the letter AN, hallmark 84 Width: 2cm, Height: 2.8cm, Depth: 1cm, Weight: 0.1kg, Condition: Signs of wear commensurate with age, Material: Silver 84, ID: 5581
£234.11
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Icon of St. Alexandra. The turn of the 19th and 20th centuries.
sia antion, riga, latvia
The chamber icon, a pocket altar of St. Alexandra, on a parquet board, bears a full-length, blessing image of the saint on a golden background. Dressed in royal clothes, covered with a scarlet cloak, she overshadows with a cross and a heart, to which she presses her hand. The festive, radiant, humble anticipation is enlivened by the dynamic Art Nouveau pattern in the upper corners of the icon. This is a symbolic symbiosis of a flower, sun, capitals in the architecture of a better world. Width: 9cm, Height: 22cm, Depth: 2cm, Weight: 0.8kg, Condition: Good, Material: Wood, gesso, gilding, tempera, ID: 5448
£1,003.34
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Icon of the Sign of the Most Holy Theotokos. Russia. Second half of the 19th century
sia antion, riga, latvia
The Icon of the Sign of the Most Holy Theotokos (also known as Oranta) is one of the most revered subjects of Orthodox iconography in Rus`. The miraculous image, kept in Veliky Novgorod, served as the source of numerous copies that over the centuries spread throughout the provinces of the Russian Empire, preserving their spiritual and cultural significance to this day. This icon was painted in the second half of the 19th century in one of the icon-painting workshops in central Russia. It is executed in the style of life-likeness, which was especially popular in imperial Russia of that period. The image of the Mother of God and the Infant Christ attracts attention with its contrast and expressive laconism. The faces of the Mother of God and the Infant God, executed with an emphasis on the eyes, create a deep emotional connection with the worshiper, which emphasizes its spiritual strength and significance. The icon is in good collection condition and does not require additional restoration work. Dimensions of the work: height - 18 cm, width - 14 cm. Material: board, tempera. Width: 14cm, Height: 18cm, Depth: 1.9cm, Weight: 0.268kg, Condition: , Material: Oil, ID: 11789
£142.14
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Icon Nicholas the Wonderworker
sia antion, riga, latvia
Icon Nicholas the Wonderworker - Bronze Width: 6cm, Height: 9cm, Depth: 0.5cm, Weight: 0.06kg, Condition: Good, Material: Bronze, ID: 2642
£50.17
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Russian icon of the Pantocrator on a thick cypress board from the mid-19th century.
sia antion, riga, latvia
Impressive and heavy Icon of the Pantocrator on a thick cypress board without dowels, mid-19th century. Canonically represents the half-figure of Christ with a blessing gesture and an open Gospel. With titles in baroque cartouches on the sides of the halo and an ornamental belt separating the image from the margins. On which are presented: St. Michael the Scribe and St. Agnia the Martyr. The order of execution and the dimensions of the expensive board require special care and quality of painting. Even now it is a monument to the icon painting art of the mid-19th century, bearing the imprint of noble sublimity, decorative and stylistic harmony. The influence of the second baroque is summed up by the contrasts of the black lines of the cartouches and the black and gold belt around the dark chitin of the Pantocrator. All around, muted olive tones of flowers convey a general atmosphere of humanized warmth and meekness. The aura of mercy is emitted by the faded, craquelure background of the icon and the soft color of the fields, preserving the nostalgia of a long time ago and a thing made with love. Russia 1850-1860. Icon size: 40x34.2 x4.4 cm. Width: 34.2cm, Height: 40cm, Depth: 4.4cm, Weight: 3.573kg, Condition: Signs of wear commensurate with age, Material: Wood, gesso, gilding, tempera, ID: 8437
£1,045.15
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Cast icon Nicholas the Wonderworker. Russia 19th century
sia antion, riga, latvia
Cast icon Nicholas the Wonderworker. Russia 19th century. Dimensions: 10.5x9.5 cm. Width: 9.5cm, Height: 10.5cm, Depth: 0.2cm, Weight: 0.207kg, Condition: Good, Material: Bronze, ID: 11792
£125.42
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The image of the Protection of the Most Holy Theotokos. Mid-third quarter of the 19th century.
sia antion, riga, latvia
The image of the Protection of the Most Holy Theotokos. Midthird quarter of the 19th century. Possibly Vetka. The image, especially revered in Rus`, is a centric, Novgorod composition, in which the memory of getting rid of the Slavic raid on Constantinople in the 7th century is recorded. Then the weekly veneration of the protection of the Mother of God, which grew into a religious procession, saved the city. This solemnly fixes the upper case of the icon. In the lower one, the sweet singer Roman before the emperor and the queen sings hosanna to the Mother of God and Her intercession. In the right stamp, behind the pillar - the scene of the prophetic visitation of Roman by the Mother of God. Clean and precise writing on gold depicts the outline of a temple with five domes, with a bell tower and an annex at the top. The catchy pictorial coloring, including the upcoming ones (St. Nicholas, Evdokia, Agripina and the Archangel Radeniya) is similar to the manner of the Vetka masters of the middle third quarter of the 19th century. Icon dimensions: 44x37 cm. Width: 37cm, Height: 44cm, Depth: 3.5cm, Weight: 5kg, Condition: Good, Material: Wood, gesso, gilding, tempera, ID: 7884
£1,839.46
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Icon of St. Nicholas the Wonderworker
sia antion, riga, latvia
Cast icon of St. Nicholas the Wonderworker. Dimensions: 6x5.5 cm. Width: 5.5cm, Height: 6cm, Depth: 0.2cm, Weight: 0.070kg, Condition: As is, Material: Bronze, ID: 11793
£100.33
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Russian, silver icon of the Archangel Raphael, painted and cloisonné enamels. Late 19th century.
sia antion, riga, latvia
Rare, Russian, silver icon of Archangel Raphael, painted, cloisonné and champlevé enamels. Probably a complex, private order, presumably executed by the factory master P. Ovchinnikov. Intimate and at the same time festive, the breastplate bears a half-length image of Archangel Raphilus with holy scripture in his hands. The gentle face and folds of the Archangel’s clothes are subtly depicted in the shimmering purity of silver, affirming the sacred purity and holiness of the heavenly powers. The high reliquary fields of the icon and its reverse side are decorated in accordance with the neo-Russian style of the 19th century - a triangular pattern alternating with foliage and a cross with Gothic curls around the flowers. The eyelet for the lace, on a turning loop, is also decorated with belts of cloisonné and champlevé enamel. A charming monument to Russian style and spiritual purity of pre-revolutionary Russia at the end of the 19th century. 6.2x3.8 cm. Weight: 54 g. Width: 3.8cm, Height: 6.2cm, Depth: 0.7cm, Weight: 0.054kg, Condition: Good, Material: Enamel, ID: 8482
£10,451.51
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Icon of the prophets Zechariah and Daniel.
sia antion, riga, latvia
Prophets "Zechariah and Daniel". The turn of the 17-18 centuries. Yaroslavl school. Split from the iconostasis with restoration. Width: 63cm, Height: 80cm, Depth: 4cm, Weight: 12kg, Condition: As is, Material: Wood, gesso, gilding, tempera, ID: 4117
£2,508.36
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Icon of the Lord Almighty with a Scepter and Orb, Russia, circa 1908-1917
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The icon The Lord Almighty is a striking example of Russian Art Nouveau in icon painting of the early 20th century. The image of the Savior is made on a smooth silver gilded background, which creates a shining effect and emphasizes the sacredness of the image. The face of the Lord is presented in a waist-length composition, the heavenly kingdom is revealed before Him. Traditional attributes, a scepter and orb - symbolize the power and omnipotence of the Savior. The icon frame is made in the form of a temple with domes, decorated with chased elements and curls symbolizing heavenly clouds. The composition is complemented by two red cabochons located in the lower part of the frame, which emphasizes the solemnity of the icon and its significance. The rounded corners of the frame add harmony, characteristic of Russian Art Nouveau, and the holder for hanging is made in strict geometric forms, which reflects the influence of late Art Nouveau. Hallmarks: The hallmark of the letter MK is presumably the hallmark of Mikhail Yegorovich Karpinsky, a hallmark in an oval shield of the Moscow District Assay Office, consisting of the numbers 84 indicating the sample; a woman`s head in a kokoshnik, facing right, corresponding to the period 1908-1917. The original red velvet is preserved on the reverse side of the icon. Dimensions: height 9 cm, width 6 cm. Thickness 1.5 cm. Product weight: 70 g Width: 6cm, Height: 9cm, Depth: 1.5cm, Weight: 0.070kg, Condition: Signs of wear commensurate with age, Material: Polychrome painting, ID: 11253
£7,943.14
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A magnificent icon of the Feasts with an annual menaion and a two-row cycle of Mother of God icon...
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Magnificent holidays with a passionate row, an annual menaion and a two-row cycle of icons of the Mother of God - a kind of encyclopedia of the Mother of God images. A majestic monument to Christianity and late Russian icon painting, where in one image the annual and Mother of God universe of Orthodoxy is revealed, full of sacrifice. With the epicenter of suffering and resurrection, the testimony of all the upcoming saints and with hope in the miraculous images of the intercessor. The Virgin Mary series is interrupted by the marks of Unexpected Joy, Joy of All Who Sorrow, the Sign and Coronation of Mary - milestones of the communion and growth of spiritual truths. The Passion Series is composed of: the Ascension of Mary, the Old Testament Trinity, the Entry into Jerusalem, the Raising of Lazarus, the Washing of the Feet, the Last Supper, the Flagellation of Christ, the Imposition of the Crown of Thorns, the Carrying of the Cross, the Crucifixion, the Descent from the Cross and the Entombment. Particularly attractive is the rare completeness of the lists of icons of the Mother of God, which can serve as an encyclopedia of the Mother of God images. The bright decorative painting on a golden background sounds excitingly solemn and life-affirming. Cypress board, gesso, tempera, gilding. Russia. Second half of the 19th century. Dimensions: 53x44 cm. Width: 44cm, Height: 53cm, Depth: 3cm, Weight: 10kg, Condition: Signs of wear commensurate with age, Material: Wood, gesso, gilding, tempera, ID: 11192
£5,434.78
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Icon of the Holy Blessed Prince Alexander Nevsky in a silver frame. The turn of the 19th-20th cen...
sia antion, riga, latvia
Icon of the Holy Blessed Prince Alexander Nevsky in a silver frame. Represents the classical composition of a saint standing near a table with Monomakhs hat. Iconography interprets a spiritual calling - above military glory and power. The princes gestures affirm sincere involvement in faith, submission to God and rejection of worldly paths. Moscow hallmarks of 84 standard silver of 1899-1908 on the crown and frame of the icon. The masters monograms are illegible. Dimensions: 22x18 cm. Width: 18cm, Height: 22cm, Depth: 2.3cm, Weight: 1kg, Condition: Good, with traces of use, Material: Silver 84, ID: 8698
£794.31
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Icon of the Intercession of the Blessed Virgin Mary in a silver frame. Moscow. Russia 19th centur...
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Icon of the Intercession of the Most Holy Theotokos in a silver frame and icon case. It is an unusual iconography that emphasizes the event, the lower register of the icon with Roman the Sweet Singer, the couple of emperors, etc. The upper tier, with the worship of Christ, is unexpectedly turned to the right. The frame is made in Gilded silver. Russia, Moscow 19th century. Icon size without icon case 22 x 26.5 cm Width: 36.5cm, Height: 41cm, Depth: 7cm, Weight: 2kg, Condition: Good, with traces of use, Material: Gilding, ID: 8363
£1,170.57
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Icon of the Holy Blessed Prince Alexander Nevsky on porcelain.
sia antion, riga, latvia
The image of the Holy Blessed Prince Alexander Nevsky. Hand-painted porcelain from the early 20th century. The wooden frame was made later. Represents the canonical image of the patron of the fatherland, standing tall, in military attire, a mantle and symbols of power on the table. In his right hand is the banner of Christ with the image of the Savior Not Made by Hands. Thin, miniature writing repeats the best icon samples of the turn of the 19th and 20th centuries, with triumphant realism of figures and textured gold embossing on the margins of the icon. Width: 8cm, Height: 15cm, Depth: 2cm, Weight: 0.115kg, Condition: Slight wear marks, Material: Porcelain, ID: 5633
£459.87
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Icon Selected Holidays. Palekh. XIX century.
sia antion, riga, latvia
Icon 12 principal Christian feastIn the central part of the icon is the Introduction to the Church of Our Lady of Sorrows and Virgin Mary. In the center of the icon is the three-year-old Virgin Mary, who was brought to the temple by Her parents - Joachim and Anna. For a long time they were childless and took a vow: if the Lord gives them parental happiness, then they will devote the Infant to God. It was a sacrifice - to give their only, long-awaited child. The icon shows the fulfillment of a promise: Joachim and Anna bring little Mary to the temple, where the Jerusalem priest meets the family. According to Church Tradition, he was the righteous Zacharias, the future father of John the Baptist, therefore, on the icon, his head is surrounded by a halo. Behind the priest is the Holy Gates of Saints (a special place in the Jerusalem temple), where the main shrines of the Jewish people were stored in the ark.In the upper part is the icon of the Annunciation of the Blessed Virgin Mary.In the lower part of the Icon Assumption of the Blessed Virgin MaryIn the circle of the central part of the icon of saints: Tatiana, Sandra, Anna, Paul, Catherine, Mary Magdalene.Material: wood, gesso, tempera, Palekh, XIX century Width: 44cm, Height: 53.5cm, Depth: 10cm, Weight: 6kg, Condition: Some lacks, Material: Wood, ID: 3258
£2,006.69
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Icon of 5 saints
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Middle of 19th century. Wood, painting. 33x58 cm Width: 33cm, Height: 58cm, Depth: 33cm, Weight: 2kg, Condition: Condition of use, Material: Wood, ID: 10893
£1,672.24
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Printed metal icon of the Lord Pantocrator, turn of the 19th-20th centuries.
sia antion, riga, latvia
Printed metal icon of the Lord Pantocrator, turn of the 19th-20th centuries. Dimensions: 22x17 cm. Width: 17cm, Height: 22cm, Depth: 0.7cm, Weight: 0.265kg, Condition: Good, with traces of use, Material: Decal, ID: 8456
£150.50
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Icon of the Savior Almighty. 19th century
sia antion, riga, latvia
Icon the ark Savior Almighty of the second half of the 19th century in a modern icon case . Wood, gesso, tempera, gold. Mstera? 21x18.5cm. Width: 21cm, Height: 5cm, Depth: 18.5cm, Weight: 1kg, Condition: Good, Material: Tempera, ID: 3475
£292.64
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Russian icon of the Holy Martyr Antonina, turn of the 19th-20th centuries.
sia antion, riga, latvia
Russian icon of the Holy Martyr Antonina, turn of the 19th-20th centuries. A small, personal image is painted in bright and festive gold, in the canons of realistic painting at the turn of the 19th and 20th centuries. The semi-figure of the saint is enlivened by a three-quarter turn, volumetric-plastic construction of the figure, calm and confident concentration, realistically written hands with a cross. The careful and fractional ornamentation of the golden field and its organization do not contradict the stated dating. Dimensions: 17x14 cm. Width: 14cm, Height: 17cm, Depth: 2cm, Weight: 0.313kg, Condition: Good, Material: Wood, gesso, gilding, tempera, ID: 8157
£501.67
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Large, copper-cast icon of the Smolensk Mother of God, with five enamels, in an icon case. Russia...
sia antion, riga, latvia
Large, copper-cast icon of the Smolensk Mother of God in an icon case. Betrays the canonical, semi-figured image of the Mother of God with a baby in her arms. The rare casting format preserves the high-quality detailing of the clothes, the gestures of the saints, the foliage and floral patterns on the margins of the icon and Mary’s halo. The color program of the monument is interesting: combining the natural nature of the blue, endless sky and green organic foliage in the background of the icon. And also yellow, consider the golden color, blooming on the dark nimbus of the Virgin Mary. White, as a sign of purity, forms the titles, the cross-shaped halo of Jesus and the flowers in the margins of the icon. Copper-bronze alloy. Hot enamels 5 colors. Good original condition. Origin: From a family of Old Believers in Latgale. Russia. 19th century. Dimensions of the icon: 26x22 cm. Size of the icon case: 75x60 cm. Width: 60cm, Height: 75cm, Depth: 16cm, Weight: 35kg, Condition: Good, with traces of use, Material: Glass, ID: 8442
£752.51
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Rare silver erotic musical automatic box.
sia antion, riga, latvia
Refined and rare silver erotic music box for cigarettes. The case with the mechanism compartment opens like a golden cigarette tray. Underneath, on a hinge, is a moving erotic scene depicting an 18th century couple. Love joys to music take place against the background of a pastoral landscape flanked by a palace extension and a triumphal arch. 800 Italian silver. The manufacturers brand is hidden. Probably Palermo Basilio Vincenzo Fiore, 1930s.Dimensions: Height: 3.2 cm. Width: 9.2. cm Length: 5.7cm Width: 9.2cm, Height: 3.2cm, Depth: 5.7cm, Weight: 0.5kg, Condition: Good, Material: Silver 800, ID: 3608
£7,107.02
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Graceful lady`s necessaire made of jasper and gold.
sia antion, riga, latvia
Elegant ladies necessaire made of green jasper and gold, in the spirit of Louis XV. The opening button is an old cut diamond. The edges of the travel bag are decorated in roccale gold, with a fox and a goat in the decor of the sides. Total weight: 95 gr. Width: 4cm, Height: 10cm, Depth: 2cm, Weight: 0.095kg, Condition: Good, Material: Gold, ID: 6049
£2,341.14
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Golden Russian Cup . K.Gan
sia antion, riga, latvia
Russian golden Cup , cylindrical, from K. Hahn with enamels and the slogan: Drink the guest, and pour the house owner. A laconic and cozy weighty volume, full of a subtle sense of proportion, where the text embraces, envelops and directs to the hospitality of the drinking ritual. Towards a model of revered and warm communication. To the idea of an old deanery. The cylindrical volume, commensurate with the hand, is festively decorated with enamel waves and edging. They strike a balance between seemingly simple functionality and solemn sublimity. The sparkle of enamel stones completes the decoration and gives a royal or princely shine to the product. Gold, champleve enamel. Stamp: Double-headed eagle above the stamp K. Gan, corresponding to the firm of the supplier of the Imperial Court Karl Gan . Letter a , Girl turned to the right, numbers 56 in an oval shield, corresponding to the St. Petersburg Assay District for gold items from 8.5 g and more, period 1908-1917. Weight: 49.5 gr Width: 4.1cm, Height: 4.8cm, Depth: 4.1cm, Weight: 0.05kg, Condition: Very good, Material: Enamel, ID: 3429
£8,361.20
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Magnifier in gold frame.
sia antion, riga, latvia
Elegant magnifier in a gold frame with a pen in the form of a curl and decorative trim from jasper on the body.Weight 30 gr. Width: 2.5cm, Height: 8cm, Depth: 4cm, Weight: 0.04kg, Condition: Excellent, Material: Glass, ID: 474
£1,923.08
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